Showing posts with label 3 nods. Show all posts
Showing posts with label 3 nods. Show all posts

Saturday, August 24, 2013

Please forgive me for my distance.

Review of Providence Perfume Co. Branch & Vine and Providence Perfume Co. + Jonathan Joseph Peters Mousseline Pêche

Dear reader:

I have been living in a terrible desert of words. I want to write to you. I want to tell you stories. Places I've been, things I've done, people I miss and people I am only just beginning to know. More stories and adventures, those of this world and those of the worlds in my head. All those voices clamoring...

But something has happened lately. I put pen to paper, I put fingers to keyboard, and then nothing. Nothing comes. I can't write. I can barely talk. I feel suddenly, strangely lost. I can't find anything to say to you, to say about the lovely perfume I'm smelling, to round out the worlds that live in my head.

I don't know why, dear reader. I don't know what illness has afflicted me and stolen all my words. But I am going to try, nonetheless. Forgive me if these meager ramblings seem weak or ill at ease on this page, in your screen, from my mouth. Right now, they are the best I can do.

Providence Perfume Co. Branch & Vine is described by the perfumer as follows:
Inspired by a summer garden. Verdant leafy greens, a tangle of tomato vine. Hints of muguet mingle with mimosa, jasmine and cooling violet leaf.

Top Notes: sunflower, green bitter orange
Heart Notes: mimosa, muguet leaf accord, neroli, jasmine sambac
Base Notes: vetiver, fir, violet leaf
The orange is bitter, like the oil from the skin of a not quite ripe orange, and it is blended beautifully with vetiver and violet leaf. Quickly – within minutes – it becomes dry, all sunflower seed taste and the least sweet neroli scent you can imagine. This is a lovely opening. It is light, it is complex, and it smells like you'd want to have a summer romance remember it by this smell somewhere ages and ages hence.

The middle is far more floral than the opening, on me skewing toward a delicate jasmine with hints of violet leaf and muguet leaf. A bad jasmine can sometimes skew toward grape kool-aid or grape bubblegum; Branch & Vine avoids this by having hints of greenery and an almost lemony citrus, making it a truly lovely summer floral. I really liked it. I wore it in high summer heat and felt like it was gentle on the skin but still lightly assertive in a way that only a floral can be, and that the heat brought the sillage a little higher.

This scent is billed as a unisex scent and I believe it would be lovely on a woman, and possibly even more lovely and interesting on a man. Perhaps I will cajole my mister into trying a little, just to see.

A sample sprayer is $6.00 direct from the perfumer. A full ounce is $80.00. Given the lovely experience that is Branch & Vine, I think that's a reasonable price.

Providence Perfume Co. + Jonathan Joseph Peters Mousseline Pêche

Mousseline Pêche is an entirely different experience.  Providence Perfume Co. describes it as follows:
A new limited edition eau de toilette born of the collaboration between fashion designer Jonathan Joseph Peters, of Project Runway and our Providence Perfume Co. perfumer Charna Ethier. A fragrance inspired by the softest, sheerest peach mousseline de soie, the fabric of choice for the designer's summer resort collection.

The sweet smell of peach skin warming in the sun,
A feather light frock of the palest silk mousseline,
Bronzed skin kissed with lush ylang ylang, rose and tonka.

Top Notes: yuzu, pink grapefruit, rosewood
Middle Notes: peach accord, ylang ylang, rose otto
Base Notes: tonka, vetiver, spun sugar (natural maltol)
Wow. Peach and pink grapefruit mingle with rosewood and a strong tonka base note to create a sweet explosion of delicious, feminine fruits mixed with a clean oil basenote that reminds of me baby oil on warm skin in the opening. About twenty minutes in it I get am almost cinnamon note that sugars up the fruit a bit, but not overwhelmingly so. It almost reminds of Chanel No. 5 EdT, but only in the most distant cousin sense.

I've worn Mousseline Pêche on both hot days and cool rainy days and find it pleasing for almost any weather. I get low to medium sillage off my spray sample, even when applied generously. My only complaint is that the longevity is on the short side for me, pettering out at around the four hour mark.

A good peach can be so hard to do; they often come off reek of chemicals like a cleaner or plastic-y like a scented doll. Mousseline Pêche is exactly what a sexy sparkling summer peach should be. It should make you want to bite into flesh until the juices run from your lips. If that sounds as good to you as it does to me, then give this one a try.

A sample sprayer of Mousseline Pêche is $7.00 direct from the perfumer. A 15ml sprayer is $50.00.

There you have it reader. I'm alive, if somewhat buried under. Hang in there with me. I promise, I miss you even more than you can possibly be missing me.

"My derring-do allows me to dance the rigadoon
Around you
But by the time I'm close to you, I lose
My desideratum and now you, so
Now you have it, so tell me baby, what's the word?
Am I your gal, or should I get out of town?
I just need to be reassured
Do you just deal it out,
or can you deal with
What I lay down?
Please forgive me, for my distance
The pain is evident in my existence
Please forgive me for my distance
The shame is manifest in my resistance
To your love, to your love, to your love
~ "To Your Love," Fiona Apple


Samples provided by perfumer. 
Photo of Branch & Vine bottle taken from Providence Perfume Co. All rights reserved.

Friday, November 2, 2012

Let your love cover me; you are my family.

Naked Leaf Perfumes First Breath

As I am writing this, my niece is about to be born.

Okay, yes, she is my second niece, and also, yes, she isn't really my niece.

It's technically my 'adoptive' sister's second daughter. It doesn't make it any less exciting to me, though. Also, I'm technically writing this piece a few days ahead of pasting it because I'm having some weird health issues this week and I like to stay on track. I'm posting this piece today because I am hoping they don't have to wait until next week to induce.  If I am lucky, Ximena will be born today, on All Soul's Day, because it is a special day, a beautiful day. It is a day of remembrance, a day that connects us to our past.

A lot of people feel that our pasts way us down, but I'm a big believer in honoring where you come from, even the less pleasant parts, because they help you know where you're going. Trust me, my past ain't no picnic, but even I can find and pick out the good parts from a distance, and if I can, then I have hope for everyone. The good parts are still back there, and they are good.  And the bad parts?  They are parts I survived, and that makes me strong.

All of it is part of me, and I am comfortable enough in my own skin to be grateful to all those who made me, those who came before.  Every year, on this day, I try to honor that, and to honor the memory of those loved and loathed and lost, but who still live here, in every breath and heartbeat.  For that reason, I'd like to think of little Ximena coming into the world on a day where the wall between the past and the present is thinnest, a time when we honor our ancestors as we look toward the coming year.

But whether she is born today or not, I've been thinking about her and my sister Erica, particularly as I've been sampling our sixth and final Primordial Scent Project: Air Set offering, Naked Leaf Perfumes First Breath by perfumer Suzy Larsen.
In honor of midwifery, First Breath is a liquid prayer to empower when you need an unshakable inner strength and resilience--whether beginning new projects and challenges or birthing new ideas. The mysterious and sensual First Breath is clean, fresh, expansive, innocent and green while being a little sweet and comforting. It's your own midwife in a bottle giving you courage to take that first tentative step in a new direction. Let your inner sage-femme (midwife) guide you.

First Breath is an AIR element-inspired perfumer for Perfume Pharmer's 2012 Perfume Project: 'Primordial Scent'.

Notes: Sage, Lime, Lavender, Amroise, Bergamot, Clementine, Red Mandarin, Green Pepper, Rose Bulgarian, Rose Anatolian, Neroli, Lavender absolute, Black Current Bud absolute, Jasmine grandiflorum, Clary Sage, Fir Balsam absolute, Vanilla, Vetiver, Patchouli, Oakmoss, Benzoin and Hyrax in organic grape alcohol.
Lime, lavender, and bergamot are strong in the opening, which is very green and a little sharp. Ten minutes I start to get some rose and some of the patchouli base. I like rose/patchouli combinations, and the green and citrus notes lighten and compliment the combo, adding a pretty and, yes, innocent quality to a combination that I usually find earthy or sexy or dirty.

This is a pretty scent. A gentle scent. It doesn't have much of a 'skin' quality, or I'd say it was the air of newborn baby skin. This is not the brutal, bloody reality of birth, but the light, fuzzy bliss-fill memory of those first moments, where all you remember of a difficult new beginning is how it was all worth it in the end.

And to Erica and Ximena, and all lucky soon-to-be-moms and their almost-people, may your memories be as pretty as this scent.

You can buy First Breath for $50.00 for a 5ml parfum extrait direct from the perfumer. Samples are also available for $5.00.

You can buy the entire Primordial Scent Project: Air Set for $28.00 here.

For more reviews of the Primordial Scent Project: Air Scents, try: Perfume-Smellin' Things; The Perfume Critic; John Reasinger, writing for Perfume Pharmer; Indieperfumes; Donna Hathaway, writing for Perfumer Pharmer.


Can you fix this? It's a broken heart. 
It was fine, but it just fell apart. 
It was mine, but now I give it to you, 
Cause you can fix it, you know what to do. 

Let your love cover me, 
Like a pair of angel wings, 
You are my family, 
You are my family. 
~ "Family," Dar Williams

Sunday, October 28, 2012

When Your Circumstance is Movie-Sized: The Smell of Air

Six Days with the Primordial Scent Project: Air Set

When I was fourteen, I fell in love with a song by Liz Phair called "Stratford-on-Guy." I discovered it on a late night alternative rock show on MTV called 120 Minutes. I was sitting in my dad's room, watching videos while I waited for him to leave for work, and this video came on. I immediately set about trying to find the album, which back then was a lot harder as it required you to have the artist's name and the name of the song (though album was better), then make a physical pilgrimage to a record store or, in my case, music store full of cassette tapes in the local mall, to try to track it down. I had Exile in Guyville pretty much right as it came out thanks to this single, and I played the cassette over and over.

The song isn't particularly profound. It's about the experience of being on a plane. Not like, "here I am separated from my love or going to war and this plane is a metaphor for my loss," but about the visceral experience of being on an actual plane: the stillness of the people, the way the world looks from above, the loud quietness of the space itself, the sense of being connected and disconnected, or moving and not moving, of doing something menial (sitting and reading a magazine, drinking a coke and eating peanuts) and simultaneously extraordinary (flying). The description of the experience got to the heart of me in some deep and fundamental way, like a poem I keep returning to and finding new colors in the words.

At that point in my life, it would be another two years before I flew on a plane for the first time. When I finally did it, I was terrified. I was entranced. It still seems impossible that you don't fall right out of the sky. Impossible that you become surrounded by clouds so that every window in all directions is filled with nothing but whiteness. Above you, below you, left and right, whiteness. It's as if you've entered a strange kind of otherworld, where childhood images of heaven, or the unknown great hereafter, is nothing but pearly clouds and angelic figures.

Even today, every time I fly, there comes a moment when the earth disappears and space disappears and there is only a small room surrounded by whiteness, all manner of whiteness, and the thrum of the engines is barely noticeable on your skin and in your ears and the space has a strange kind of stale coolness. In that moment, I wonder if this is what those first few moments after dying will be like for me. It won't be a tunnel of light or a large foreboding gate or a set of scales with my soul on one side and a blackbird's feather on the other. It will be me, going somewhere unseen and unknown at an impossible speed, not alone but still profoundly singular in the experience, not quite here or there yet, in progress.

After all, isn't that the space we all really live in? Hurtling toward the future at an impossible speed, yet not quite free of the past behind us? If you died there, in that space, would you even know it? Or would you just ask for more peanuts?

That's a lot to get out of a 120 Minutes video. Twenty years later, and I still listen to the album a couple of times a year. When "Stratford-on-Guy" comes on, I feel that profound sense of being outside and yet somehow in the moment, every time.

The thing that makes me tell you about this experience, dear reader, is that we have reached another week of the Primordial Scent Project. For the next six days our focus is the primordial element of Air. I knew I was getting the Air set before it arrived, and the concept intrigued me. Water? Fire? Those are scents I feel like I have a relationship with. Whenever I thought about how to capture Air as an element in scent, I kept thinking of "Stratford-on-Guy" and the liminal experience of air travel.

It took an hour, maybe a day,
but when I really listened, the noise just went away.

What does it mean to make a fragrance that captures the essence of air? Is it a sort of nothing, an almost absence of scent? Is it a particular scent, a moment captured on the wind? Is it a mishmash of all the things one loves best, a kind of everything scent? Or is it somewhere in between?

That's the question we're going to explore this week with the Primordial Scent Project.

Our first Air scent is Michael Storer's Djin. The Posh Peasant describes the scent as follows:
A powerful djin is what Aladdin brought forth when he rubbed his famous lamp.A spectral and prismatic interplay of olfactory sensations is what you’ll set free with just a few sprays of Djin parfum. Djin’s notes range through all the chakras from the base of the spine with very male Aldrone, leathery castoreum, civet, musk, tonka bean and teakwood, to a middle of sweeter woods tempering the bitterness of grapefruit oil, blackcurrant absolute, clary sage, just a hint of vanilla and iris. This all carries on through the upper spine right to the forehead with an aura of ozonic and marine notes, rose and topped with mind-opening spices including cardamom seed and floral aldehydes. This is all we will reveal. You’ll just have to rub the magic lamp yourself to experience all the full-bodied power of Djin.
The immediate opening is green, sweet, and woody, a fresh light scent that would be easily interpreted as either masculine or feminine. The middle section of Djin is a lovely ozone and marine mixture that reminds of me the prettiest aspects of the smell of the kind of recycled air on a plane, but without the stale unpleasant points. It reminds me what my grandmother used to call "store bought air," with a hefty emphasis on a kind of green dewiness.

I tried Djin a couple of times, and there was always something about the scent I couldn't quite put my finger on. When I couldn't place it easily, couldn't find the right words, I kept going back to that concept of liminal space. An in-between scent for the not quite here or there moment, both in travel and in life. It lives in the quiet beyond the busy-ness of our daily lives, that place where we are forced to sit and wait for our external selves to begin again. In that moment of not-quite-here-or-there-ness, we find a strange kind of peace.

Now what could be more magical than that?

Djin is a light, pretty scent lingers over the skin for hours. The sillage is low but the longevity is good, lasting on me about eight hours.

You can buy Djin for $75 from the Posh Peasant. You can also buy by contacting the perfumer directly.

You can buy the entire Primordial Scent Project: Air Set for $28.00 here.

For more reviews of the Primordial Scent Project: Air Scents, try:  Perfume-Smellin' ThingsThe Perfume Critic;  John Reasinger, writing for Perfume PharmerIndieperfumesDonna Hathaway, writing for Perfumer Pharmer.

The earth looked like it was lit from within
like a poorly assembled electrical ball.
As we moved out of the farmlands into the grid
the plan of a city was all that you saw.
And all of these people sitting totally still
as the ground raced beneath them, thirty-thousand feet down...

~ "Stratford-On-Guy," Liz Phair

________________________________
Photo of scents taken by me; other photos from Creative Commons: Airplane in sky and Clouds from airplane. All rights reserved.

Wednesday, June 13, 2012

So tonight I'm gonna party like its...

A Review of Black Phoenix Alchemy Lab Miskatonic University

So El Hubs and I are heading out of town this weekend to watch a dear friend graduate college (Go Audrey!), visit his parents, and celebrate his birthday.  I think the image to the right accurately reflects our respective attitudes toward travel in general.  I would be the Sheldon in the scenario, and for David, Penny equals our cats.  It usually takes less than twenty-four hours before he starts verbally speculating about how they are and what they are doing, which usually means he is missing them before we even manage to leave the house. We are going up to one of my favorite areas in the world, the top of the Olympic Peninsula.  My plans include eating at Bella Italia in Port Angeles (shut up, Twi-haters, I love that damned ravioli), jewelry shopping at Lila Drake in Port Towsend before a quick stop at the old-fashioned soda fountain, and if it's nice, a long walk down Rialto Beach.

Did I mention it was his birthday? Yeah. This is what happens when I ask what he wants to do and he says, "Whatever."

And now, for the sleeping.
While I'm mentioning exciting things, I'll throw out there that this past weekend I finished my first draft of the sequel to Spooked, the YA supernatural noir I am currently trying to find an agent for. I wrote for thirteen hours straight to finish it because there is a point I get to near the end of these things that it is literally pouring out of me and I won't be able to focus on anything else until it is done.  On the whole, I'm pretty happy with the way it turned out. There is something really satisfying about finally getting around to telling the end of a story when you've known it for a long time.  Now my lovely betas are hard at work reading, trying to ignore my egregious typing errors and grammar discombobulation. I have nothing but hearts and sparkles for my peeps, who keep me encouraged when I want to lay on the couch like a beached whale slathered in ice cream remnants moaning about how untalented I am and how it is never going to happen for me.

Also, in case you haven't noticed, gifs have come to Feminine Things because apparently I have now caught up with internet technology circa 1999. FN1.

I was up super late writing, so now I am so in need of coffee I decided my best bet is to smell like coffee.  To that end I bring you Black Phoenix Alchemy Lab Miskatonic University, part of their Picnic in Arkham series.
A venerable New England university, whose vast library holds many rare, diabolical and obscure arcane works, including one of the few surviving legitimate copies of the Necronomicon. Home to innumerable scholars of the esoteric and the occult, and the notorious Dr. Herbert West. 
Notes: The scent of Irish coffee, dusty tomes and polished oakwood halls. 
The initial impression is coffee, hazelnut, and bubblegum?  I have no idea why I get bubblegum.  I think it's the attempt at the Irish part of the Irish coffee.  Over time the bubble-gummy note dissipates (thank goodness) and becomes a mixture of hazelnut coffee, dust, and dry hard wood.   For me, it's worth waiting out the bubble gum for the weird delights of smelling like you've fallen asleep while reading old books in a library with your head resting next to a still warm cup of good sweetened coffee. If you are worried about sweetness; don't.  It get so dry and woody within the first hour that I'd say it more hints at gourmand than actually acts like one. In fact the wood is so strong at the in its almost resin-y.
Let's get this birthday road
trip started! Who has the snacks?

Four hours later, the wood (which took on that ripe young new wood smell) and coffee melded weirdly so that I kept hitting a hint of fig. Nose to pulse point, the notes were still distinctive, but at arm to head length, it was straaaaangely fig fruity. This may just be on me, but that's what I got.  You try it and be the judge. The sillage is relatively low, but the longevity is pretty good. I could smell light wafts eight to ten hours later (though if you read regularly, you know scents tend to last a long time on me.)

This is a classic three-ish nodder for me.  I like it, mostly, but also feel like someone else would like it more, it would fit them better, or I'd like it more if it were only X, Y, or Z.  That said, if you like a little sugar with your wood (dirty!) , this might be a good scent for you. For me, it's sort of meh.  I think I'll shelve it for a few months, try it again in the fall, and if I still can't get into it, make it a gift to someone who can. Could that be you?  Perhaps, dear reader.  Perhaps, perhaps, perhaps.

If this sounds interesting to you, stay tuned.  I'll probably give away a BPAL sample set in the next week or two and I'll make sure to include a sample of Miskatonic University.  But first, I have to steal, I mean celebrate, my husband's birthday.

Until then, yours in writing-induced exhaustion,

Diana
______________________________
FN1. And that's how we are supposed to party, amIright

Thursday, September 1, 2011

Lucky.

Short Fiction Inspired by & A Review of Demeter Fragrance Library Fresh Hay

I didn’t go with him that night to get lucky.  I wasn’t interested in a hook-up, a one night stand, the potential of a new friend-with-benes.  That Elvis song, “One Night With You”? Never had any appeal to me.  I’d waited much longer than my friends, who had given into to the overload of teenage hormones or the ease and convenience of the college overnight while I was still in the library studying.

After that, the opportunities for getting skin to skin with a stranger declined exponentially. It wasn’t something I was looking for, and definitely wasn’t worth spending my nights getting sweaty in meat market bars. I went to school, I went to synagogue, I went home.  Lather, rinse, repeat, ad nauseum, ad infinitum. Several years out of college and through my first year of law school, I had good grades, lots of friends, and I’d never been kissed.  Not once.  Not ever.  The longer it went on, the worse it got.  How do you tell someone over dinner on a first date that if they expect the night to end on the doorstep in a warm embrace, it will be a new experience for at least one of us?  Take it from me: when you’re twenty-seven, it’s not a conversation that goes well.

 So how did I end up rolling around in a stall full of hay with a man I barely knew? It started with a childhood wish – to have my own horse.

It was stupid, I guess. As a little girl I’d lived in the city in a sixth floor walk-up.  I was raised among concrete and weeds with few friends and absolutely no pets, due to my mother’s alleged allergies. I wasn’t even allowed to have a fish.  Growing up surrounded by giant buildings, I always thought of a horse as the ultimate symbol of everything I didn’t have – a majestic beast to ride over the wide open spaces of the Wild West, where no one’s stereotypically neurotic Jewish mother demanded you keep every piece of clothing pristine, never roll around in the mud (“Germs!”) or run through the rain (“You’ll catch your death out there!”) or sleep outside (“Only homeless people sleep outdoors!”) or keep an pet at all, much less inside the house (“Filthy creatures!”) No, nice Jewish girls did not go on dates with boys their mothers didn't know, did not wear pants when a freshly pressed, modest-length skirt was available, and they did not spend their time with farm animals.

I lived at home when I went to CUNY so the ban of all things that flew, swam, or otherwise moved on four legs continued.  Then when I moved out on my own, I stayed in the city in an even smaller studio than the cramped apartment I’d grown up in where my landlord was even more anti-animal than my mother.  Of all the things denied me as a child and all the 'good' habits encouraged under my mother’s watchful eye to the point that I perpetuated them even after I left her house, the “no animal” mandate seemed the one that made the least sense objectively, and therefore was the one the universe continued conspiring with my mother to keep.

Which I think is how I ended up as an intern on an organic farm in Eastern Oregon after spending a year studying at the only law school in America with a specialty in animal law.  I might not be able to have a pet, but by God I was determined the rest of the world would be welcoming of all things scaled, feathered, and furry.  I committed to my first year of law school and first summer internship with a frenzied energy I was sure would sustain me, and subsequently petered out somewhere around the first July day the temperatures closed in on a hundred and even the air seemed like it was dying of thirst. 

I’d taken the internship on a working farm that was part commercial venture, part co-op, thinking of all the animals I’d be surrounded by and all the different aspects of working and living with animals I’d be able to absorb in three short months, which was one of the weakest parts of my animal law resume.   Too stubborn to quit and too embarrassed to admit  how at completely useless I was at manual labor, I tried and failed each day to be a help to the farm. Overcome by my own ineptitude at last, I sat in one of the clean stalls in the large barn that afternoon, hiding from the heat and the experienced farmhands who endured my feebled attempts with little grace while I cried.

I’d been up since four and it was late into the afternoon when I finally broke down. The string of long days of physically demanding work had worn me down to a pitiful nub. Twenty-seven years old, and I’d never yearned for my overbearing mother more.  I longed for her to swoop down on me, demand to know what on Earth I was doing in my filthy farm clothes, and then drag me back to Brooklyn. I was so absorbed in my Fiddler fairy godmother rescue fantasy, I didn’t hear Cooper until he burst out laughing.

Pulling my pride up around me, I yelled at him, which just made him laugh harder, until he was doubled over and wiping at his eyes.  I tried to get by him, determined to pack my things, sell my car, and be on the first flight back to New York and Brooklyn Law where I belonged, but he kept blocking my exit.  When he finally collected himself, he dragged me through the barn to where the horses were boarded. 

I kept asking myself why I didn’t leave as I watched him lead one horse, then another out of the stables.  Truthfully, I was taken with the horses, and by the way Cooper handled them without a word, using various clucking and shushing noises along with his hands to communicate with them.  The first was a solid black horse with a superior air, and I could tell by the way it snorted and shook its head every time it looked in my direction that it knew I’d never been this close to a horse in my life.  The second, though, was a tall and lean horse the color of dark honey with a long blonde mane.  Cooper saddled both horses as I stood uncertainly near the large open doors of the barn, shifting my weight uneasily from foot to foot in my uncomfortably new boots, trying to decide if I should stay or go.

“Here,” he said finally, drawing the word out in his wide mouth as he gestured for me to come over to the second horse.  I dithered, and he pursed his lips, gesturing again at me insistently.  I stumbled over to him. Cooper grabbed my hand in his and dragged it down the brown horse’s long forehead.  The horse snorted in a friendly way. Taking the cue I kept stroking, and it nudged me with its muzzle encouragingly.

“She likes you,” Cooper said just behind my ear. Any other time I would have been nervous to have a man standing that close, but I was so enamored with the horse I barely acknowledged him.

The horse was beautiful.  She was everything I'd ever wanted in an animal, but I knew immediately she wasn’t a pet.  She was a companion.  You could see it in her eyes, in her movement, in the way she encouraged things she liked and shook off things she didn’t.  Lost in my first genuine interaction with the kind of friend I’d longed for as a little girl, I was more surprised than the horse was when Cooper lifted all hundred and sixty pounds of me like I was a bag of potatoes off the ground and placed me in the saddle.  Throwing my leg over out of instinct more than anything kind of knowledge, I teetered in the seat. Cooper smiled at me and handed me the reins, then walked over and hopped onto the broad back of the black horse like it was as natural as breathing.

Giving his horse a gentle nudge, Cooper headed out of the barn and toward the open land beyond the small paddock nearby.  With only the tiniest bit of encouragement from me, my horse walked smoothly after them, carrying me along as I awkwardly bounced around on her back.  As we reached the edge of the residential portion of the property, Cooper and his horse stopped short and my horse cruised to a stop next to him, as if by silent command.

“You’re having a hard time,” Cooper said unexpectedly.  I turned to look at him, shielding my eyes from the sun which was still bright despite it being close to seven o’clock in the evening.  “But you got a lot of guts for trying this in the first place.  I like a girl with guts.”
               
I swallowed, too stunned to say anything.  Cooper hadn’t said more than “Morning, Ma’am” and “Evening, ma’am”  to me since I’d arrived.  I knew he’d been working at the farm for about eight years, hoping to save up the money to buy property of his own one day.  People on the farm said he was hard working and had a good head for numbers, so they suspected he’d get there eventually.  Beyond that, I didn’t know anything about him except that his neck had a perpetual sunburn and he didn’t seem to own anything that didn’t look like it had faded from about a hundred washes.  To say I was stunned that this man had taken it upon himself to drag me about five miles on a horse into the middle of East Oregon Nowhere and give me lecture on my character was an understatement.

My horse, apparently, agreed with him, snorting and nodding as he spoke. “You’re working too hard, and you’re not working smart. Every now and then, you need to take a break. I see the way you watch the horses and I figure you’ve probably never touched one, let alone ridden one. I thought, before you bolted back to the city, you should probably try it once.” He turned his head toward me, squinting as if he was waiting for confirmation.

It was presumptuous, arrogant, and condescending.  Unfortunately, it was also true.  I flapped my trap open and shut once or twice, trying to think of a retort.  Finally I gave up.  I’d already made up my mind to leave that night.  What was the point in arguing?

“What’s my horse’s name?” I asked instead.

“That,” he said gesturing in my direction, “is Sweet Pea. She’s a Tennessee Walking Horse. They make better pleasure horses than work horses, but she's a good girl and right now she’s about as much as you can manage.”

Never one to back down from a challenge, I frowned at the characterization, both of me and my horse, who I already felt protective of.  Cooper ignored me. “And this here is Lucky,” he said, patting his own horse, who shook his head in a haughty manner at his name. “He’s an Arabian and little too strong for you to handle.”

“Like you know what I can handle,” I muttered, then felt the color drain from my face as both Cooper and his horse shook with laughter in response.

“We’re gonna keep it pretty slow, but if you get scared, just pull on her reigns,” he said demonstrating. “You don’t have to pull hard. Sweet Pea’s a good listener; she’ll stop right away.”

“What are we doing?” I asked, wondering what I had let this stranger get me into.

“We’re gonna go for a ride,” he said simply.  Then he urged Lucky forward, and took off without so much as a glance back in my direction.  I sat uncertainly in my saddle as I watched his figure growing smaller in the distance. 

Sweet Pea turned her head to eyeball me, and I could see the mixture of excitement to run and disappointment in me as a rider all over her pretty face. “All, right,” I said weakly, gripping the reigns tightly in both hands.  “It’s your show.” Sweet Pea needed no other encouragement, and took off after Lucky and Cooper at a slow gallop.

We spent the next two hours running in circles all over the hills and plains around the farm.  By the time we finally made it back to the barn, my back was aching and I thought I’d never walk right again, but I practically floated above my saddle.  Riding Sweet Pea was by far one of the most exhilarating experiences I’d ever had.  I’d felt completely connected to my environment – to Sweet Pea and the rhythm of our synchronized movements, to the earth underneath us, to the wind flying around us.  The world was brighter, the air smelled richer, and I felt free.  For the first time in my life, I’d been truly alive.

Cooper helped ease me down from the saddle and held me until my wobbly legs found purchase.  I tried to step away from him, but my muscles gave out beneath me, and Cooper grabbed me and held me up. “You’re like a new foal,” he chuckled.

I made my way back over to the empty stall where he’d found me and collapsed onto the large bales of fresh hay as I watched him water and rubdown the horses.  After he’d finished taking care of them and putting our bridles and saddles away, he came over and sat down next to me.

“Thanks,” I said with weary wonder, and he nodded with signature stoicism. Looking at him, I wondered if there was a picture of Cooper in the dictionary under the idiom “strong and silent type.” It was mostly dark in the barn, the only light from a single overhead lamp that threw long shadows in the center of the room but left the corners dark. 

The quiet stretched out around us.  I could sense Cooper getting ready to leave, but I didn’t want the magic of the evening to end.   It was as if every cell in my body still vibrated with the thrumming beat of the horses’ hooves, and that energy was the life force contained in all the atoms of the universe.  It made me feel bold and reckless, as wild and impetuous as the breeze blowing across the valley. 

In the eight years since that night, that’s the only explanation I’ve come up with for what happened next, which was entirely my doing.  I could blame it on the way the light highlighted the blond streaks in his hair or the way the shadows played across the planes of his face. I could blame it on the fact that I hadn’t eaten in fourteen hours and had spent the entire afternoon getting a terrible sunburn and possibly heat stroke.  I could blame it on the music of the night and the sweet smell of the hay clinging to the warm air around us. I could blame it on the fact that I could barely move I was so stiff from riding for the first time, and my legs were made of jelly and every part of me was simply too tired to leave the barn.  But the truth is, I’d had the best time of my life with a man I barely knew to speak to, and I didn’t want it to end.

So I kissed him. 
 . . . . . . 

“And that, my dear,” I said, as I pulled the last cookie sheet from the oven and placed it on the cast iron trivet on the kitchen table, “is how a nice Jewish girl from Brooklyn ended up a part-time country lawyer and mother of three beautiful girls living on a farm in Eastern Oregon.”

June grabbed a cookie off the sheet before I could stop her, juggling it to keep from burning her fingers. “So that’s what Gramma Esther meant? We live here because daddy got you his horse?”

“Yes, Sweet Pea.” I said, trading her a cookie from the cooling rack for the hot one in her hand and kissing my six year-old daughter on the head as she shoved the entire thing in her mouth. “Because I got lucky.”

June scrunched her nose as she thought about it. “I shtill don’t get ith,” she said, crumbs falling out of her mouth.

“Don’t worry, Sweet Pea. Someday, you will,” I replied, laughing to myself as June grabbed another cookie and ran out of the kitchen.



Saturday, August 13, 2011

And she was lying in the grass, and she could hear the highway breathing.

Scent Spotlight: Demeter Fragrance Libary Grass, also PRIZE DRAW and head-to-head scent delivery method comparison.

In case you missed it, we've been experiencing some technical difficulties here at Feminine Things, which are hopefully now resolved. Also, life has been crazy, with the moving twice and being short staffed at work. But enough about the bad; let's focus on the good in life. And in my world? That means the perfume.

I bring you a strange challenge today. I was talking on twitter to Victoria and Carrie (and I think Gaia as well) about Demeter Fragrance line. I love the CB I Hate Perfume line, and Demeter is Christopher Brosius' former employer. I had never tried Demeter scents and, given the low price point, asked what people thought before I went nuts about bought 10-15 of them unsniffed. The general response from the tubes – great scents but not terribly long lasting, better suited for room sprays than perfumes.

Considering my purchases and related powers of acquisition, I noticed in my dithering of do-I-or-don’t-I that Demeter added a perfume oil version available in a rollerball. Would a perfume oil last longer, as advertised, and fix the major criticism of the line? Or perhaps the alcohol based spray or splash was fine, but needed the spray-until-wet technique I learned from Mals at Muse in Wooden Shoes? Only one way to find out.

So I did exactly what any truly insane perfumista would do – bought the same scent twice in both forms.

Yes, that’s right. I couldn’t buy two different scents because I wouldn’t truly be able to tell if the scent lasted longer because it was stronger or I noticed it more or the method of scent delivery (oil roll on vs. alcohol spray) was the better choice. Nope, the only option was two buy two bottles of the same scent. I managed to pick up a 15ml cologne splash for $6 and the 8.8ml roll-on for $10, so for a whopping $16 plus shipping, I got my mad wish, though I admit that the entire over-the-top endeavor is probably inspired by my most recent Top Gear binge.
Random thoughts about grass...

After scrolling through the extensive list of Demeter scents and considering everything from Basil to Birthday Cake to Salt Air to Mulled Cider, I finally settled on, of all things, Demeter Grass. FN1. Yes, Grass. What can I say? It’s summer and I love a good freshly mowed lawn. The description, which is lengthy, is as follows:

Playing in it.......lying on it......or even mowing it....Grass smells wonderful. Centipede grass, the most widely used lawn grass in the southeast United States, has something of a romantic history. Around 1918, the U.S. Department of Agriculture sent a Dr. Meyer, a plant explorer, to China in search of plants that might be economically useful. Tragically, before his return home Chinese bandits killed Dr. Meyer. His suitcases arrived in the U.S. where a collection of seeds was found, including a packet of Chinese centipede grass seeds. That packet of seed was sent to a USDA experimental station near Savannah, Georgia. In the early 1920's, Jack Renfroe took four sprigs of the grass to his father, Mr. Riley Renfroe, who had a 400 acre farm near Quitman. Three of those sprigs survived and were planted in a pasture. In 1950, Ray Jensen, a soil scientist for the USDA, visited the Renfroe farm to make a soil survey. Although 96 years old, Mr. Riley Renfroe wanted to accompany Jensen on the survey. That evening the two settled down to a wonderful southern dinner and that is when the story of the centipede grass on the Renfroe farm was told. Ray Jensen had just finished building his home on 20th Street in Tifton, Georgia. Mr. Renfroe insisted he take a pickup load home with him for his yard, where Jensen planted all the grass. The following year Jensen contracted Mr. Renfroe to produce centipede seed from the 40 acre pasture he had developed from just three live sprigs of the Chinese grass. Ray Jensen had a vision to produce and sell this wonderful grass and seed and offer it as a foundation to southern homes and businesses. From China to Washington, DC, to Savannah to Quitman to Tifton, to the entire southeast and beyond, from one small packet of seed and three live sprigs, today centipede grass can be found on lawns and ornamental turf areas around the world. In Demeter’s Grass Pick-Me-Up Cologne, we have captured the freshness and sweetness of a lush green grass pasture, much like the pasture that Mr. Riley Renfroe planted with centipede grass from those three live springs over 80 years ago.
...contained in footnotes below.
First let’s talk about the scent. I grew up playing and lazying about on those fabled lawns of the American South and I know that smell, so familiar it plays on repeat in the memory of summer when I think about my life. As a ‘grass’ scent, let me say this – the scent itself is wonderful. It does smell like fresh cut grass, but less like the real deal spread between the fingers of your outstretched hand and more like an intense sculpture of grass, or like a wild Van Gogh-esque painting of fresh grass. It is a very sweet grass, and almost has a little bit of a soapy edge, but is really quite beautiful. My friend, Kate, said she thought it was more like clover, and I can see that.  For someone who wasn’t sure if they liked scent, or thought all scents were too “perfumey” this might make a good offering, though I can also see some critique of the scent reminding folks of a clothes detergent, as I suspect that this is what they’re always aiming for when they aim for grass or nature scents. I also want to say that this isn't so much real grass as the intense experience of grass, like grass as one might imagine experiencing it on a perception altering substance. FN2. I give the scent itself a solid 3.5 to 4 nods for originality and closeness to reality.

But to the more important question, in a head-to-head scent off, which lasts longer – perfume oil or alcohol splash, and how long is that, exactly? Here are my totally subjective findings.

The cologne splash lasted longer than the perfume oil on me, though when I first applied them, the oil was stronger on my skin. The dry down between the two, at least for Grass, was virtually identical, so you’re going to get the same ride either way. The cologne splash lasted a little over five hours in the slightest lingering, slightly longer than others warned me. The oil lasted even less than that, only about three and a half hours, which really surprised me, particularly when it started out so much stronger. Either way, a disappointingly short skin life.

Hmmm... grass...
Just to give it a last run, I took the splash and stuck some in a sprayer, then sprayed until wet, and that got me to almost seven hours, though it was very weak by then, and you’d go through a bottle pretty fast to use that much. Plus, it sprays on so wet you’d need to apply it before getting dressed so it didn’t run all into your clothes. In other words, it takes work to make it last, and even then it’s not a scent you'll still be catching whiffs of at the end of a full day.

So is it worth it? Well, I guess that depends. On the one hand, the scents aren’t going to last long in any iteration. On the other hand – so cheap and so many options! And on the gripping hand, some days you don’t want to wear the same scent for your morning and your evening plans, and in those cases this is a fine option. For a mere $18 you could go through three scents in one day. I don’t recommend the line for those looking for a ‘signature scent,’ but for those who like to play with scent wardrobe, for the price of one $60 scent, you can have ten completely different ones here. That makes them not only a fun addition to my extensive collection, but a great source for assuaging impulse shopping and stocking stuffers.

Which brings me, finally, to this: Your August prize draw. A bit late, sure, but here nonetheless. Winner gets my extra roller ball of Demeter Grass, a $10 gift certificate to Demeter Fragrances which is almost enough to buy you a 15ml cologne splash of your choosing and cover shipping within the U.S. (sorry, international readers, you’ll have to pay a little more for the shipping) and of course, a mix CD made by yours truly.

To enter, go to the Demeter Fragrance site (which is not AT ALL attractive, but at least appeals to the utilitarian in me), look through the list, and tell me what you might buy if you win!

Open to all readers anywhere, and very excited to hear your thoughts.

To enter please post by: 12:01AM, Monday, August 22, 2011 Pacific Standard Time.

"And she was drifting through the backyard...
And she was taking off her dress...
And she was moving very slowly...
Rising up above the earth...
Moving into the universe, and she's
Drifting this way and that...
Not touching ground at all, and she's
Up above the yard...
and she was."

"And She Was," Talking Heads

______________________________
FN1. I actually changed my mind so many times that I would have sworn to you with the delivered box unopened and in hand that I'd bought Salt Air, because I love going to the beach and do that a lot during the summers here, but apparently I changed my mind at the last minute. I think I decided I had a lot of 'beachy' scents already. I honestly don't remember. Now that I've been convinced it was coming, though, I want it. And I did just get paid today...

FN2. Not that I would know anything about that. It just seems that way, like when you look at a Van Gogh and you think, "Whatever he was on must have been wonderful!" or look at a HR Giger and think, "Holy Jesus, keep whatever he was taking away from me!"
I bet David Lynch could even make this
creepy...oh, wait! He did! In Blue Velvet!

FN3. I just want to make a note that there are a creepily large number of photos that turn up when you google image search "girl laying on grass" or even "person laying on grass" and you can make out the individual's identity in every one. Apparently artsy shots of obscured human figures on grass are not common, and now that I think about it, would probably come out looking sinister in a Lynch-esque way.

FN4. The Demeter description reminded me. I had this friend once who did her thesis on the history of the American lawn and how it's basically an environmental catastrophe as well as a socio-cultural catastrophe since its inception in the 1950s, single family homes destroying urban centers, creating horrible gridlock, and social isolation for women of the Feminine Mystique variety. It made sense, but also made me a little sad. In the way I tend to festishize small town Americana, I do love a good village green...

FN5. Does anyone else think the invention of astroturf was basically a one of the plastics/petroleum industry's most horrible ideas? Like terrible bad?

FN6. Ditto for golf courses? Does anyone else start ranting about how much they hate golf courses every time they drive by one?

FN7. Who knew I had so many thoughts about grass, lawns, and grass/lawn-related things?

Sunday, October 24, 2010

A little grin, a little groan, oh baby...

Etat Libre d'Orange Antihéros

So it's one week until All Hallow's Eve.  Is everyone else as excited as I am?  I doubt it.  I have a good costume this year, which I promise to post you pix of next week, and I am going to a party this year, so I actually have somewhere to where it other than the 24-hour pie house I always seem to end up at on Halloween.  It's weird, but true  Every freaking year.

But we're here to talk about perfume...


Etat Libre d'Orange describes Antihéros as follows:
Take me as I am » seems to say this fake Mr Everybody. An anti-hero never lies about who he is, hence the seeming simplicity of this hedonistic and sun-drenched creation, entirely centered on lavender flower. This hero of everyday life fights very ordinary battles at work, when driving, at home without every taking anything too seriously. His innate modesty is extremely appealing and he knows it. He cultivates his imperfections with wit and with natural unconventional elegance. With his tousled hair and look, this somewhat unexpected superman catches the eye and still cannot believe it – that’s why we adore him.

Composition: lavender, musk, wood...
The lavender and wood combines for a clean smell, so the initial impression is a light, almost lemon or lime wood scent, after a few minutes, though, it arms up as it sweetens and deepens.  The lavender is really dominate at this point, and reminds me of the lavender cupcakes my friend Jill made for my friend Tiff's birthday.  The wood feels less like a base thank a kind of side note afterthought  The musk is almost no where to be found, leaving the combination with a sort of tea like feeling over all.

The words "innate modesty" are, I think, a fitting way to describe it.  It feels like a masculine to me in a Chuck Bass sort of way, but it also makes for a nicely cozy winter scent.  Personally, I prefer L'Artisan's Tea for Two, but if that's to spicy for you and you'd like a scent that is a little more toward the floral tea side, you might really like this one.

You can buy Antihéros in 50ml and 100ml bottles, as well as get samples, from LuckyScent or direct from the perfumer.


"If I could just turn back the clock and hear you hum along again
I'd give up all this tea I bought hoping you'd stop by.
At least a case of Orange Spice. 
Now tea is something I don't like.
I like coffee. I like it dark.
It's not for wimps.
You're not a wimp, but you're a Buddist.
That's like..voodoo.
Tea tastes like doodoo.
But for you I'd buy tea
just to have you hum along."
- "Just to Have You Hum Along," Betty Elders


Want more?  try....
~ a review from Fragantica
~ a review from A Minx by Any Other Name
~ a review from Aromascope
~ a review from One Thousand Scents
~ a review from Antihéros

Wednesday, June 9, 2010

And you didn't even notice when the sky turned blue....

Christiane Celle Calypso Mimosa EdP

Oh, the job interviews, they keep happening. I guess this is the sign that the economy here is finally looking up. I keep wondering how I'll deal with going back to work full-time after being out for over six months now. At first all this free time made me anxious. While I've certainly experienced my fair share of boredom by now, I've also kind of relaxed into the void, as it were. It will be weird to have structured time again at some point. Hopefully "some point" is going to be in the next few weeks, because I really deserve to buy a whole lot of perfume to celebrate.

According to Calypso Christiane Celle, Mimosa is an "enticing blend of orange rose and jasmine. A Mediterranean springtime breeze." Because this isn't all that helpful, I turned to Luckyscent for additional insight. Here's what they had to say:
Calypso’s signature scent is a sunny, transparent floral that shimmers n’ shines with dashes of mimosa, green leaves, rose and jasmine. It’s a sweet and gentle fragrance that never tries to overpower your nose or leave a flower-scented vapor trail behind you. Instead, it dances on your skin, joyful and playfully feminine, giving off delicate hints of sunny summer flowers enhanced by a powder-soft musk base. Easy to love and a perfect fragrance for any occasion.
Notes: mimosa, green leaves, jasmine, rose

Transparent? Dancing vapor trail? This was, dear reader, not at all my experience. Initially, here's what I get: rubber and hand soap. About ten minutes in I do get something a little bitter, which I'm guess is green leaves coming through like chewing on dandelion stems coated in salt and pepper.

It took a couple of tries at this one, though, before I could see the prettiness of it. Why? Because of the damned hand soap! My first thought was that I smelled vaguely of hands freshly washed from the public bathroom. I kept seeing that light blue color in my head that the soap always is. Setting that aside, though, I can see some of the niceness. This is one of the first mimosa scents I've tried, and inevitably it will grow on me until I finally cannot imagine what I was thinking when I wrote this, but there's the truth of the thing. Newer noses, beware, and be patient. It's a nice scent, this mimosa thing, but it is going to feel kind of familiar at first, and not necessarily in a good way.


Once I got over it (3rd try? 4th?), I could see a creamy texture to this, like the feel of crisp, unwrinkled satin. It get a tiny bit sweet after about an hour.  Some folks complained about staying power, but it was fine on me.  It's a nice clean scent, and as long as you don't over do it, would be suitable for daytime-to-the-office kind of wear. I don't find it particularly feminine, and think it might bloom in a surprisingly nice way on a man. I'm going to try more mimosas to see how it compares, but I find the overall experience so far as middling. Not unpleasant, but as yet, nothing to take to the hills in song about. Does anyone have any mimosa scents they recommend I try next?

You can buy Mimosa in 100ml for $55 from LuckyScent. (The perfumer sells the scent direct for $60.) There is also a shower gel and body lotion.

"You'll find it hiding in shadows.
You'll find it hiding in cupboards.
It will walk you home safe every night.
It will help you remember.
If that's the way it is,
then that's the way it is.
You are the bluest light."

- "Blue Light," Bloc Party (You can listen to the song here)

Want more reviews? Try...
~ a review from Perfume-Smellin' Things
~ a review from Sweet Diva

Wednesday, June 2, 2010

Like a natural woman...

YOSH Winter Rose

Ah, gentle reader -- where have I gone? It's a question I ask myself.

David has finished the school year and been around to spend time with me, so I've been taking advantage of that. That and the cats have been sick -- ALL FOUR OF THEM.

PB&J --so cute!
I've also become obsessed with The Office, which David and I find super hilarious. We started watching because my friend Shelley, who is a 22 y.o. Chinese International student and soon to be graduate student in actuarial sciences, needed someone to teach her to drive. I volunteered. It's funny. I'm not a mom. I don't know if I ever will be. But I am having the pleasure of teaching someone to drive. There's something sweet about passing on a life skill to someone, something that feels strangely permanent. Some day she'll teach someone to drive, and so on and so forth. It's a little piece of me that will continue.

Shelley is obsessed with The Office, and specifically why the actor/ess who play Jim and Pam are not together in real life.  She kept asking me over and over while we were driving for hours around cemeteries, parking lots, neighborhoods, etc. how they could not be together in real life.  I began watching the show so we could talk about it.  Now I agree with her.  Also, I think I'm in love with Jim.  Not the actor, the character.  I can say that here because David does not read my blog.  No one should tell him.

So I admit I've been distracted in a vacation-y way. But I promise, dear reader, to talk to you more. After all, what would I be without you?

Weather here is crazy town. I know, I know. I say that a lot and it seems like I am forever talking about the weather. I've found the weather is one of the largest influences on what perfumes I wear from day to day. Not what I try, but what I actually wear. Depending on the weather, I either bundle up or opt for looser warmer weather clothes. The combination of the weather and the fashion ultimately creates a scenario that ends up pushing me into one set of scents or another. The weather has been unseasonably cold and wet lately, more like November than June. This keeps leading me back to trying winter scents, even when I'd like to move on to summery scents.

Thus, YOSH's Winter Rose has hit the line-up for review a couple of times, but I kept pushing it off because it wasn't seasonal. Well I'm just going to go with the crazy weather and give you this review, and maybe soon Oregon will get around to a proper summer.  Winter Rose is a limited edition creation of Yosh Han, inspired by her travels through Turkey. Only 250 eight millimeter bottles are available. It is described by Han as follows:
A completely organic botanical fragrance, Winter Rose evokes dreamy landscapes filled with lush textures and colors, spices from the markets, mysteries of the desert caves and ancient ruins, and glorious roses from Isparta. Winter Rose resplendently captures the beauty of roses with a tinge of cardamom-- it is soft and delicately sweet; it is a gem of a fragrance that exemplifies the spirit of the people.
I love rose scents, so I was excited to try this one. On me, though, Winter Rose is a lightweight in a world filled with beautiful roses. Mostly I feel like it's comes off as a very nicely made rose scented massage oil. The scent of oil in this, a sort of bland, cleaness, is just so powerful in this. It's almost like the smell of a well-baby oiled baby. After a while the faint rose is jointed by a mixture of very gentle almond nuttiness and orangey citrus, but it's still not the dominant paradigm.

I try to imagine what sort of situation or event I'd want to wear this for, and all I can think of is a scenario wherein I knew I was going to be wearing next to nothing and in very warm weather. It seems like the sort of scent a person would wear when they wanted just the barest hint of scent, the sort of thing a woman might want, in a passionate moment, to be mistaken for simply the scent of her. Sounds sexy, no? It's certainly got that potential. But for me it just doesn't have enough umph to be worth the price point, particularly when I can have equally organic Red Flower's Guaiac, which does something similar but does it better.

I'm wondering if the issue is that it is an organic, which I have a mixed feelings about, because from my perspective, while I'm all for the natural/reusable/organic/local grown/etc. movement, I don't know that it has any place in perfume. The fact is that synthetic sources can often make excellent perfume -- scents that might not otherwise be able to be created or capturing scents that, in order to create them naturally, would be environmentally more harmful than using the synthetics. I don't think naturals should be getting banned because, let's face it, if you've got allergies then you know before you start putting on scent it might not work for you, but at the same time, I think limiting your artistic palette to organics seems unnecessarily limiting to me, like an English author trying to use only words with a Germanic root to write a novel, or trying to speak without using "E"s. While it might seem like a fun and challenging intellectual exercise at first, after a while it seems kind of pointless or pretentious at best or suffocating at worst.

What are your thoughts on the organics issue readers? Are you drawn to scents because they are "organic" or "all natural" more/less than other scents? Does it matter? Do you care at all?

You can buy 8ml of Winter Rose from Luckyscent for $200.

"Looking out on the morning rain, I used to feel uninspired.
And when I knew I had to face another day,
Lord, it made me feel so tired.
Before the day I met you, life was so unkind.
Your love was the key to peace my mind,
'cause you make me feel,
you make me feel,
you make me feel like a natural woman."
- "Natural Woman," Aretha Franklin
(You can listen to the song here)

Want more? Try...
~ a review from Scent Hive
~ a review from Perfumistadotorg

Saturday, May 8, 2010

A matter of complication when you become a twist...

Parfums Zero Six Cent-Trente Yuzu Rouge EdT

Summer has finally hit Portland. Just two days ago, it was cold and rainy and occasionally hailing, and today? Warm, summer breeze. It will be in the low to mid-70s by midweek, and David and I will be dragging out the fans for our thoroughly unairconditioned apartment. With the warmer weather, I am on the hunt for warm weather scents. In the summer I tend to shy away from incenses, orientals, and powders and toward citruses and light florals and the occasional leather. (Yeah, leather, because spring/summer is Rodeo and State Fair season to me, and that means leather.) Today, in my search for summer scents, I'm trying Parfums Zero Six Cent-Trente Yuzu Rouge EdT.

According to Parfums Zero Six Cent-Trente,
Yuzu Rouge is a crisp Eau de Toilette that combines the refreshing Japanese citrus yuzu with verbena, grapefruit, and bergamot. The precious rose adds a light floral touch to the freshness of the scent, and a soft sweetness blooms from the black currant, tea, and amber, making this scent complex and refined.

Notes: yuzu, cassis, grapefruit, verbena, damascena rose, nutmeg, bergamot, cardamom, musk, moss, gray amber
On application I get grapefruit covered with brown sugar and sprinkled with lime. It's very light, and I only get a tiny it of rose or verbena. For such a fruity scent, this isn't very juicy. It's more dry, which I suspect is the amber, musk, and moss base. Apparently some people get a tea-like note in this, but if so it's an herbal tea sort of scent, not black or green or hell, even a Lipton tea. It's light, and kind of citrus rosey, but much less strong or warm than, say, Red Flower Guaiac.

Yuzu Rouge also does not grow noticably stronger as your skin warms, either from heat or exercise, and doesn't quite have the staying power of Guaiac, but it is much less sweet than Guaiac. Consequently, it's wearable by just about anyone. I think you'd have to use quite a bit to get some lasting power out of it, and I kind of wish it came in an EdP or parfum because I would like it much more that way. Being as is, it's a nice scent, and worth trying, but as citrus roses go, the holy grail continues to elude me.

You can buy Yuzu Rouge in 100ml $110 from Luckyscent, Barney's, Beauty Encounter, Four Seasons, and First-in-Fragrance. Luckyscent also has samples. The scent also comes in a candle for $40.


"Can somebody tell me now,
who is this terrorist?
Those girls that smile kindly,
then rip your life to pieces?
Can somebody tell me now,
am I alone with this?
This little pill in my hand
and with this secret kiss.
Am I alone in this?"

- "The Power Of Orange Knickers," Tori Amos (feat. Damien Rice)
(You can listen to the song here)

Want more reviews? Try...
~ a review from Robin at Now Smell This!
~ a review from Bois de Jasmin